Solo performance:

2004-2006 Heart Song. Evolving live art/ theatre performance using the body, projections and songs to explore the relationship between personal and political world. (U.K. Germany, Netherlands and Spain.)

2005 Heart Song part 2. Major performance at L'Antic Theatre, Barcelona. Progression and development of Heart Song part 1. Video collaboration with Filippo B. Heart Song continues too be performed in various European locations.

2004-2005 Elizebeta. Sculptural street intervention and video project, part of Drap Art Festival and independent research for M.A. placement, Barcelona.Video collaberation with Filippo B.

2004 Apparitions. Site-specific installation and performance, Totnes, Devon.

2004 Woomera multimedia and song performance presentation about escape of refugees from Woomera detention centre from point of view of eyewitness, Dartington.

2000-2001 The Virgin's heart, dark clown and piercing fetish cabaret piece (Driscal Art Centre, Cork, Eire and Torture Garden, London.)

2000-2001 The Future Eater, Interventional character with a voracious appetite, at large in Europe and Australia.

Theatre:

2003 -2005 Co-founder Cirque Idyllic collaboration between experimental theatre makers and aerial dance practitioners, based in the South West and sharing a passion for renewable energy powered production methods and grotesque/ burlesque styles of performance. Ongoing Fund-raising and administrative duties for Cirque Idyllic.

Co wrote, performed in, and composed sound track and songs for "Cabaret at the End of the World" an interactive aerial theatre musical which the company continues to tour with, including the following events:

2003 Fusion Festival, Germany; Schlos Platz, Berlin; Big green Gathering, U.K; Lost Vagueness, London. Funding from Ground Swell and Network for Social Change.

2004 Fusion Festival, Germany; R.A.W, Berlin; Infant Festival of Alternative Theatre, Novi Sad, Serbia; Beautiful Days Festival, U.K.; Parcs en Fete Festival, Paris. Funding from Arts Council of England, South West.

2005 Glastonbury Festival, Midnights Carnival. Stockton International theatre festival.

2001 Co-writing, producing, directing and performing in Operation Alchemy, an anti-nuclear hip-hop musical. Large-scale outdoor multimedia production touring in England, Germany and Austria with anti uranium mining, pro clean energy message. This project involved people from six different countries, with diverse experience including teenagers from the traveling community.

2000 Directing, devising and performing with Earthdream Environmental Circus tour from Adelaide to Darwin, Australia. Performance protests at uranium mines in the desert, culminating in theatre for the Darwin festival, with Labrats solar sound system.

1996 - 1999 Cofounder Shelanagig women's environmental performance group, who toured through out Europe for three summer seasons. Radical performances in diverse situations including street theatre festivals, dance music festival, squats and protests.

Sound:

I am currently working on a self-produced solo album of my songs and tunes: including hybrids of drum and bass and vaudeville, activist hip-hop, cabaret style songs.

2003-2007 Composing and sound design for Cirque Idyllic and solo work.

2003- ongoing collaboration with guitarist and pianist Oliver Cumming. Performances and compositions.

2002-2005 Performing and helping crew with Rinky-dink peddle powered sound system, in Holland and the U.K.

2000 & 2002 Recorded and performed with Combat Wombat, Labrat's Solar Sound System, an Australian activist hip hop band and solar sound system. "Alchemical generation" released on their album and 12 inch record.

Community Projects:

2003 Fund-raising planning and implementing "Operation Alchemy" renewable energy participatory performance project for young people in Radstock, Somerset, support from Awards for All.

2000 & 2002 Puppetry and theatre games with children in East Timor.

2000 Hip hop and graffiti with children and young people at Imampa, Yuandamu and Baggat Road Indigenous communities Australia.

1999 helping co-ordinate Dragon festival, a celebration of travelling culture, Andalusia, Spain.

1996 & 1997 Children's puppetry workshops with Rise Phoenix in Jajce, Bosnia.

1997 & 1998 Puppetry, circus and theatre with travelling children at El Moreon travellers school, Spain.

1997 Circus and theatre games with street children in Colombia.

Circus:

Double whip cracking, acrobalance,, expressive fire performance (swinging and stunts), stilt walking, bouffon clown characters, broken glass, bed of nails, box of swords, body piercing.

Visual work:

Drawn and distributed many comics, zines and pictures over the internet, copies available on request.

I have build innumerable disposable trash sculptures, puppets and costumes for various events and performances over the years.

Multimedia work mixing painting with digital images for projection during performance and events.

Film:

2007 "This Bloody Show" birth performance film. Sellected for screened at Milk Bar Film festival, Oakland, California.

2006 "Self Portrait" film sellected for group show in Bethlehem, Palestine, then touring to Italy and Argentina.

2005 Video art collaberation with Fillippo B. "Lost" screened in Barcelona (L'Antic teatre, T.D.N.) and U.K. (The Cube , Bristol.) Sellected for screened at Milk Bar Film festival, Oakland, California.

2002 Script editing, assistant direction and cameo role in "Too Deadly" a fictional feature film about uranium mining, protesters and aboriginal people, filmed in outback Australia. The film was produced in collaboration between Labrat's Wind Powered Cinema and members of the local aboriginal community.

Academic Qualifications:

1989 10 G.C.S.E.s and 1991 3 A levels English, Art history, Art.

1992 Diploma in Fine Art, Foundation Level Wimbledon Collage of Art and Design, London.

1996 2/1 Honours degree in Social Anthropology and Comparative Religion Manchester University.

2003-2005 M.A. in Performance and Cultural Location in Contemporary Europe, with distinction in part 2. Dartington Collage of Art.